13 Shots of Noir by Paul D. Brazill



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English writer Paul D Brazill's 13 Shots Of Noir is a collection of short stories in the vein of Roald Dahl, The Twilight Zone and Alfred Hitchcock Presents. The first story, "The Tut", was nominated for a 2010 Spinetingler Award, while the story "Anger Management" was chosen as one of the Predators and Editors top twenty crime stories.

Crime, horror and dark fiction are contained within the pages of 13 Shots Of Noir.

Excerpt:

I used to get angry all the time. Especially when I was a teenager. The “difficult years,” doctors used to call it. As if there could ever be any other with a father like mine.

I’d see crimson, burn up like a volcano, rant, rave, spit, scream—the whole deal.

And sometimes I’d even black out. A switch would be pulled and I’d fall through a trapdoor straight down into the deepest well. Darkness all around.

It was after one of those “episodes” that I came to with gigantic hands gripped around my throat, dangling me over the thirteenth-floor balcony of some grimy tower block somewhere in East London. No recollection of getting there.

So that was when I decided to channel my aggression. That’s when I joined The Squad.

First it was just the football; following the team to some hick northern town and screaming abuse at the bumpkins. But that was never enough. I knew there was more. I could smell it; taste it.

And then I met Tubeway, Slammer and Col. The Squad. They were a breakaway group from the mainstream hooligans. They called it “rucking and rolling.” Football hooliganism mixed with mugging. It made sense. This was the nineties and Cool Britannia had no place for the likes of us.

We were the dispossessed, according to Tubeway. He liked to use words like that; flaunt his vocabulary and GCSE in Philosophy. The same Tubeway who used to listen to Hitler’s speeches without understanding a word of German.

Don’t get me wrong, I knew that they were tossers—just looking for excuses for being violent. I didn’t need an excuse, though. I knew that I liked to inflict pain; I needed to hurt. It was just a matter of when and who.

Then they introduced me to Mr Bettis—or Sweaty Betty, as he was known behind his back. He was like a giant pink slug. Col said he looked like Jabba the Hutt. I just nodded. I didn’t know what he was talking about. I didn’t watch films. I didn’t read books—I could barely read—and I didn’t like music. What I liked was violence. Sweaty paid well. He told us to keep our noses clean. Become respectable. Invisible to the law. He’d contact us once a month with a name and a place. Maybe a picture. And we did what he asked. Sometimes we used Stanley knives. Or blowtorches. Or even guns.

I loved it. I was good. The best. I started to develop a sense of professional pride. I distanced myself from the others. They were a liability. Disasters waiting to happen, I thought. And I was right.

Tubeway had his neck broken by a transvestite in Clapham. Col died of a smack overdose in a piss-stained Wandsworth squat. And Slammer got locked up for life, which I found ironic once I’d learned that word at my adult literacy class.

Oh yes, I studied. Learned to read and write. Learned history—enough to put Tubeway in his place without batting an eyelid. I learned aikido and kung fu. I practiced yoga and I got married. And had kids.

I still worked for Sweaty but the jobs were few and far between; he only used me for the “prime cuts,” as he called them.

Everything seemed so right.

And then it all went pear-shaped as quick as spit disappears on hot pavement.

It’s been fifteen years since I joined The Squad and I suppose it’s taken its toll. I expect that I’m a tad jaded.

Which is why, I suppose, the sounds and the yells of the man strapped to the tree in front of me have no impact on me. Don’t even ruffle a feather.

The golf course is empty; it’s dusk and like in the film Alien—yes, I started watching films, too—no one can hear him scream.

Time to continue the interview.


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